May 6, 2026
National Exhibitors at Future Fair 2026
From Seattle to Miami, Minneapolis to Montpelier, the national exhibitors of Future 2026 represent a broad spectrum of American artistry.

Diane Briones Williams, Rice Farmer, 2025. (Detail) Wool on aida cloth, 25 ¹⁄₂" x 25" (64.77 x 63.5 cm). Photo: Evan Bedford. Courtesy of the artist and Official Welcome, Los Angeles.
Held in New York City each year, Future Fair brings artists and exhibitors from around the United States together to show their work in the nation’s cultural capital. Our sixth edition brings together exhibitors from 13 localities across 10 states, showcasing artists from all corners of the country. It’s a great chance to experience and celebrate the diversity of the American spirit.
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This joint presentation of work by Ray Beldner and Katherine Filice brings together two distinct yet complementary material practices that explore how fragments—whether drawn from the natural world or from art history—can be transformed into new visual languages. Though their materials differ, their work shares core concerns: how surfaces accumulate histories, how experience leaves traces, and how art becomes a way of recording and reconstructing meaning over time.
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Rite of Passage is a three-person exhibition exploring how individuals navigate experiences of becoming. Tallulah Dirnfeld, Natalia Wróbel, and Alison Croney Moses examine how individuals move through psychological, emotional, and embodied change, negotiating containment, vulnerability, and release along the way. The booth brings these artists into conversation around internal states, learned behaviors, inherited memory, and the processes that shape identity over time.
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This presentation brings together the work of Julia Policastro and Sydney Vize, two artists whose practices use material to explore tension, contradiction, and embodied ways of seeing. Policastro’s sculptural interventions assert bodily presence and spatial tension, while Vize’s muted palette and tactile processes emphasize interiority and affect. Together, the artists’ material approaches create a dialogue between physical assertion and emotional containment.
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Together, Site Service and blue boy present works by New York-based artists Felix Benton and Cecelia Caldiera. The two artists are deeply committed to making a sustained, lived practice and are actively producing in New York and beyond, yet remain under-recognized within its commercial circuits. At a moment when visibility is often tied to speed and marketability, this presentation centers dedication, experimentation, and the slower rhythms of the young artists’ studio lives.
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Our 2026 booth explores connections of fragility in material and subject. Navigating our present moment often leaves one feeling fragile and exposed. The artworks in the booth highlight the inherent beauty of the vulnerability that makes us human. Rosana Machado Rodriguez, Michael Sylvan Robinson, Deborah Simon, and Silvana Soriano all work with soft or delicate materials that express care and look towards fragility as a way of highlighting the exquisite patterns and order of a living body.
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Xavier Tavera’s Unsettled series begins with the civil unrest that shook Minneapolis and the nation in January 2026. In vivid street scenes, he depicts protesters, state perpetrators of violence, and the material traces of urban upheaval. These documentary images are given an unexpected context: Tavera mounts them onto photographs of pastoral Minnesota landscapes. Tavera layers his artistic and personal experiences onto broader questions drawn from the history of photography and the land, particularly the role photography has played in establishing standard myths of equilibrium found in the interior Midwest.
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Current State Studio’s presentation departs from the culture of the ‘first glance,’ inviting viewers to pause for a moment of quiet, focused observation. By gathering diverse practices that translate internal perception and memory into tangible form, the booth serves as a sanctuary for ‘slow looking.’ We invite the audience to step closer and linger over every singular brushstroke and material trace—from Jiang Miao’s rhythmic, cosmological carvings to Marina Chisty’s evocative, suspended charcoal textures.

Architect Stan Allen's field conditions theory holds that a system's behavior cannot be predicted from its individual parts: what matters is the logic structuring their relationships. The art market imposes one such logic, in which individualism, object production, and capital accumulation set the terms for every decision, systematically excluding experimental and underrepresented practices from the infrastructure they need to survive. Dimensions Variable replaces that logic with another: collective funding, shared space, and distributed support that grows more resilient as the field grows larger—which is precisely why our booth holds thirteen artists rather than three.
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Feia is proud to present Catasterism, a solo exhibition by Long Island born and NYC-based Paul Anagnostopoulos. This new body of work by Anagnostopoulos that reimagines the mythic love between Dionysus and Ampelos through a contemporary, queer lens. Drawing from Nonnus’s Dionysiaca and Ovid’s Metamorphoses, Anagnostopoulos traces the dual endings of the myth, which both detail Ampelos’s death and Dionysus’s act of immortalization. Catasterism also draws on Hal Fischer’s Gay Semiotics, embracing camp aesthetics and queer visual codes as tools of reclamation.

Geary is thrilled to present the work of Alan Prazniak, Reeve Schley and Cammi Climaco. The paintings of Prazniak and Schley explore landscapes, while Climaco’s bright and expressive ceramic work analyzes the relationships between personhood and possessions. All with significant ties to New York City throughout their careers, these artists explore themes of place and intimacy in ways that feel vital and necessary in the world today.
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Hashimoto Contemporary is pleased to participate in Future Fair for the third year in a row. Our booth will feature new works by represented artists Scott Albrecht and Angela Burson.
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Elizabeth Powell’s paintings operate through a visual vocabulary in which abstracted shapes evoke bodily interiors, lingerie structures, and organic tension. Her hand-rendered nets, knots, ribbons, and corset-like closures suggest forms held in tension between protection and constraint, articulating in paint what is often difficult to describe with words: the complexity of feminine experience, containment, and release.
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Derived from the idyllic rivers and rural architecture of her Granite State state home, the paintings of Olivia Janna Genereaux capture movement, ignorant of time. Each piece embraces the essence of the land to reveal an aspect of the natural order. Her compositions provide a respite where line and form coalesce, becoming a place to pause. Her works will be shown alongside sculptures by Lela Jaacks.
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LaiSun Keane brings together the practices of Chase Travaille and YehRim Lee, shown together for the first time at the fair. Travaille and Lee met as residents at the Archie Bray Foundation, where their processes began to overlap and Lee’s ceramic shards entered Travaille’s earliest vessels. Grounded in shared material histories from the voices of minority and queer communities, their work asserts the power of ceramics as a rigorous, expansive medium capable of holding history, collaboration, and care.

Lola Gallery is pleased to present Of Living Deliciously, a group show consisting of work from four Los Angeles based artists: April Street, Vivien Chung, and Ellen Jong in collaboration with Aura Friedman. Each of these artists shares a certain delicacy of passion, communicated through their unique intentionality of material and emphasis on identity, physicality, and the ephemeral nature of self.

Diane Briones Williams is an artist born in the Philippines and based in Los Angeles whose work explores fragmented histories, cultural memory, and diasporic identity shaped by colonization. Williams weaves with fabrics and objects collected from family and friends, reworking them into new forms that speak to lost stories and colonial legacies. She also experiments with pre-colonial dyeing methods using plants from the Philippines, food scraps, and minerals, reconnecting her art to indigenous traditions.
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This presentation brings together three artists whose practices speak directly to the current moment. Jessica Taylor Bellamy’s work engages with data, memory, and urban environments shaped by climate and media saturation. Emily Ferguson offers a quieter but equally powerful counterpoint, with paintings that explore intimacy, vulnerability, and the inner emotional landscape. Bryce Delplanque approaches painting through images already circulating in our visual culture, questioning how we look, consume, and assign value. Together, these works reflect different ways of navigating contemporary life.

Soulios Gallery opened in November 2025 in Nashville, TN, and is dedicated to advancing both classic modern and contemporary art. For Future Fair, the gallery is presenting a group show exploring contemporary figurative and abstract expressionism with artists Arthur Robins, Matthias Duwel, and Nicholas Kontaxis. The emotive selection of works reflects the heart of Soulios Gallery and its founding, based on the inspiring power of art, its ability to heal, and as a path to meaningful existence.

Megan Greene’s pen and ink works on paper feel like pulp-sci-fi fantasy covers from the 80’s abandoned by their usual centerpieces, leaving only swirling orbs and vortices of alien atmospheres in their wake. Kimia Ferdowski Kline’s work focuses on social entanglement, her materials matching her primeval themes. Grbaiel Pozzo’s dreamily rendered oil paintings feel like they were conjured from the pages of a Borgés story. Paloma Wall’s totemic ceramic vessels are bent, pierced, horned—some even seem to weep large ceramic tears—like surrealist memorial urns. There’s a dream-like quality to all of the works, as well as an appeal to ancient modes of myth-making in the age of brain rot.
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In photo media and installation, Mana Mehrabian and Stefan Gonzales recollect and document personal and cultural histories. Mehrabian, an Iranian immigrant living in eastern Washington, explores themes of identity, home, and memory through the lens of the immigrant experience. Gonzales, a non-binary Indigenous artist, uses photography, performance, and sculpture to draw to attention the origin story of materials that shape our everyday lives. With deceptively beautiful pieces, these artists provoke difficult reflection on how documentation controls history and imagery.
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Wolf&Nomad is presenting a focused showcase of three female artists from across Latin America, each working with textile or fiber-based practices in distinct and deeply personal ways. Rooted in ancestral knowledge and cultural lineage, their works reinterpret traditional materials and techniques through contemporary perspectives. Together, the exhibition reveals powerful cross-cultural dialogues that elevate textile practices beyond craft, positioning them as vital and evolving forms of contemporary expression.

New York has long been a beacon for artists and galleries alike, and this year, Future Fair is proud to spotlight exhibitors from across the state. From the vibrant streets of Brooklyn to the creative hubs of the Hudson Valley, these galleries capture the diversity, energy, and independent spirit that defines New York’s art community today.

For Future Fair’s sixth edition, we’re proud to welcome international galleries from as nearby as Canada and as far away as Korea, rounding out a coalition that also includes exhibitions from Colombia, France, Japan, Mexico, the United Arab Emirates, and the UK. Each voice brings a distinctive approach and curatorial impulse, connecting disparate communities and cultures in a spirit of dialogue.